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Nathan Green
Nathan Green

DJ Side to Side Full Bass - Where to Download and How to Use It in Your DJ Set


Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Shake N Bake, Loco Dice - Phat Dope Shit (Saeed Younan Unreleased Version), SADE - Hang On to Your Love (Saeed Younan Poolside House Edit) DJ Tool, Unreleased Tools Edits for DJ Use (9 Edits in this Album), Unreleased DJ Tools & Edits (10 Edits in this Album), Doin ur Thang, Deep Down (Saeed Younan edit for DJ Use Only), BPT "Moody" (Saeed Younan UNRELEASED Version) *Donate to download*, PRINCE - When Doves Cry (Saeed Younan Live DJ edit), and 19 more. , and , . Purchasable with gift card Buy Digital Discography $158.48 USD or more (10% OFF) Send as Gift Share / Embed 1. A-Side The Only Recording of Saeed Younan Playing a Drum & Bass Set 1998 46:00 buy track 2. B-Side The Only Recording of Saeed Younan Playing a Drum & Bass Set 1998 40:44 buy track credits released November 20, 2019 license all rights reserved tags Tags deep house electronic tech house house techno tribal house Washington Shopping cart subtotal USD taxes calculated at checkout Check out about SAEED YOUNAN Washington, D.C.


"We are in constant pursuit of innovative new ways to enhance the fan journey and deliver a world-class sports & entertainment experience," said Panthers Executive Vice President of People & Facilities Rob Stevenson. "We are thrilled to collaborate with We Rave You to curate this event and transform the JetBlue Tarmac into the ultimate electronic music performance and with Backbone International for handling the technical production management. For fans who already love the 'A Side' of Panthers hockey, we couldn't think of a better way to take their game day experience to the next level than with Panthers 'B Side' events."




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The various circuits in guitar amps work with a continuous and fixed amount of electricity. For this reason, turning up a particular parameter may inadvertently decrease the amount of available energy somewhere else in the amp. This is particularly noticeable in the EQ controls. For example, turning up Treble can reduce the level of bass and midrange frequencies. You may find that you need to carefully adjust a number of seemingly unrelated parameters to get the results you want.


The Auto Filter effect provides classic analog filter emulation. It can be modulated by an envelope follower and/or an LFO to create moving filter effects. The envelope follower can track either the filtered signal or an external sidechain source.


When using the low-pass, high-pass, or band-pass filter with any circuit type besides Clean, there is an additional Drive control that can be used to add gain or distortion to the signal before it enters the filter.


Normally, the signal being filtered and the input source that triggers the envelope follower are the same signal. But by using sidechaining, it is possible to filter a signal based on the envelope of another signal. To access the Sidechain parameters, unfold the Auto Filter window by toggling the button in its title bar.


Width sets the stereo width of the wet signal, which in turn adjusts the chorus level balance between the mid and side channels. At 0% the signal will be mono, at 100% the balance is equal, and at 200% the chorus level is twice as loud in the sides as in the middle. This is used for maintaining the level of the effect across the stereo field, which can be helpful during mixing.


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Normally, the signal being compressed and the input source that triggers the compressor are the same signal. But by using sidechaining, it is possible to compress a signal based on the level of another signal or a specific frequency component. To access the Sidechain parameters, unfold the Compressor window by toggling the button in its title bar.


The Width slider adjusts the stereo mix between the left and right resonators. At 0%, both resonators are fed equally to each side, resulting in mono output. At 100%, each resonator is sent exclusively to one channel.


Normally, the signal being gated and the input source that triggers the gate are the same signal. But by using sidechaining, it is possible to gate a signal based on the level of another signal. To access the Sidechain parameters, unfold the Gate window by toggling the button in its title bar.


Normally, the signal being compressed and the input source that triggers the compressor are the same signal. But by using sidechaining, it is possible to compress a signal based on the level of another signal or a specific frequency component. To access the Sidechain parameters, unfold the Glue Compressor window by toggling the button in its title bar.


You can imagine signals being processed by Hybrid Reverb as flowing from the left side of the device towards the right side, passing first through the input section, then into the reverb engines. The relationship between the two reverb engines is affected by the routing section, after which the signal passes through the EQ section, and then finally to the output.


The Stereo / L/R switch determines how Limiter treats peaks that occur on only one side of the stereo signal. In L/R mode, Limiter functions as two separate limiters, with independent limiting for each channel. Stereo mode applies limiting to both channels whenever either of them has a peak that requires compression. L/R mode allows Limiter to apply more compression, but with some distortion of the stereo image.


As you move your mouse over the display, the cursor will change to a bracket as it passes over the edges of the blocks on the left or right side. These blocks represent the signal levels under the Below and over the Above thresholds, respectively. Dragging left or right on the edges of these blocks adjusts the threshold level. Holding down CTRL(Win) / CMD(Mac) while dragging a threshold will adjust the same threshold for all bands. Hold down ALT(Win) / ALT(Mac) to simultaneously adjust the Above and Below thresholds for a single band. Holding down Shift while dragging left or right allows you to adjust the threshold of a single band at a finer resolution.


Normally, the signal being processed and the input source that triggers the device are the same signal. But by using sidechaining, it is possible to apply dynamics processing to a signal based on the level of another signal or a specific frequency component. To access the Sidechain parameters, unfold the Multiband Dynamics window by toggling the button in its title bar.


The bit reduction controls are available on the right side of the device. Bit reduction decreases the number of bits used to represent the digital signal, reducing dynamic range while adding distortion and noise. At extreme settings, all original dynamics are lost and sounds are reduced to jagged square waves.


Based on spectral processing, Spectral Resonator uses spectral resonances and pitched overtones to add tonal character to any audio source. You can highlight chosen frequencies of the resonating partials and alter their decay, creating either short percussive reverberations or long washed-out tones. Choose which frequencies are affected through an internal resonator or via an external MIDI sidechain. Similar to a vocoder, you can use the MIDI input to place the resonances in key with its surrounding musical elements, playing the effect polyphonically with up to 16 voices. Spectral Resonator also offers several spectral processing types on the input signal, including spectral filtering, spectral chorus, and granularization.


In Classic View, the incoming pitch is represented as a colored ball along a curve, and the nearest detected note name is shown in the center of the display. The arrows on either side of the note name light up to indicate whether the signal needs to be tuned higher or lower in order to reach the desired pitch.


When sculpting the stereo image of a track, try to visualize each instrument in a three-dimensional space. A stereo instrument might stretch all the way from the left side of the room to the right side, while a mono instrument will sit neatly in the center.


With a strong center channel, you can use the other instruments in the mix to help sculpt your stereo image. As a general rule, it's best to keep low-frequency instruments (like kick and bass) panned closer to the center, and high-frequency instruments (like guitars, keyboards and overheads) panned to the sides.


One exception to this rule is the drum kit. It might be easier to think of the drum kit as one stereo instrument, rather than multiple individual tracks. For instance, the kick and snare are both panned center, but the hi-hat and toms are often panned to opposite sides.


Many engineers use a modified form of LCR panning, with the most important tracks panned to the center and sides of the mix, and less-used instruments panned throughout the stereo field to add a sense of separation. This can be incredibly helpful when working with particularly busy tracks.


It's also important to consider the height and depth dimensions when trying to increase your stereo image. Make sure your mix is balanced both in terms of the individual instruments and the overall frequency spectrum. Use reverb and other time-based effects to add a sense of depth. By making your mix sound taller and wider, it will inherently add more depth as well.


Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Fulfill the Dream, OOZE002, Clean Line, Straight Jacket, MENACE, Why001?, Inout006 Strawberry Shake Ep, FloppyDisk001, and 17 more. , and , . Purchasable with gift card Buy Digital Discography $9 USD or more (50% OFF) Send as Gift Share / Embed 1. Live at Laughing Monk : Side A 25:05 info 2. Live at Laughing Monk : Side B 25:24 info about A 60 min double sided cassette tape version of M27 Live at Laughing Monk Brewing 2.23.20 $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released March 21, 2020 license all rights reserved tags Tags 80s electronic bass breakbeat breaks dnb drum and bass eclectic electronic hiphop jungle rave rock triphop Oakland Shopping cart subtotal USD taxes calculated at checkout Check out about M27 UNDERGROUND Oakland, California


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